One of the most evocative works to appear in the “Apeshit” visual is Jacque-Louis David’s 1799 painting, The Intervention of the Sabine Women, which is shown a number of times throughout the video. But considering Bey’s ancestry, it feels like a deeper statement about how Beyoncé has turned the pain of colonialism on its head, standing defiant. Bey renting out the Louvre for a video and stunting head to toe in Burberry in front of many famous works of art could be seen as Bey getting her Josephine on.Īgain, at face value, it could just be a slick reference intended for art history nerds. Twitter user Queen Curly Fry points out the depth of this moment’s significance: Napoleon’s wife Josephine was crowned an empress while rocking expensive clothes during the coronation. In the video, Beyoncé appears with her dancers in front of Jacques Louis David’s The Coronation of Napoleon-which features Napoleon crowning Josephine-while singing about her “expensive fabrics”. Beyoncé’s French-Creole ancestry (on her mother’s side) give her ties to the slave trade and Napoleon III, who colonized Europe, North Africa, and other areas during his reign from 1852 to 1870.
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The Neoclassical pieces featured in the “Apeshit” visuals appear for a potent purpose. Rest assured, nothing The Carters do is by accident. When you dig deeper into how Bey and JAY incorporated the Louvre’s famed work in “Apeshit,” there is plenty of powerful symbolism to unpack. On sight, filming a video in such a famous venue is the ultimate flex-which one of your faves not named JAY-Z or Beyoncé could ever pull this off?
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The museum is home to some of the world's most famous works of art, including the Mona Lisa and Virgin and Child with St Anne. How did the “Apeshit” video end up getting shot in the Louvre, though? A spokesperson for The Louvre told Vulture that The Carters presented a concept that “showed a real attachment to the museum and its beloved artworks” in May of 2018.Įven if you aren’t an art historian, you’ve probably heard of the Louvre It’s the largest art museum in the world, bringing in over 8.1 million visitors in 2017 alone. JAY and Bey’s appreciation for art-evidenced by the pair dropping $4.5 million on a Basquiat piece ( Mecca, 1982) back in 2013-has even rubbed off on their daughter, Blue Ivy, who purchased a piece by Tiffanie Anderson for nearly $20,000.
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Holy Grail single “Picasso Baby,” a song about his growing love for art, into a performance art piece alongside Serbian performance artist Marina Abramović. Given free reign of the Louvre, you’d hope the Carters would have had more adventurous taste.Hov even turned his Magna Carta. How much more compelling and challenging would it have been to see shots of Beyoncé and Jay-Z in the Pavillon des Sessions, where the Louvre lumps together artifacts from Africa, Asia, the Americas, and Oceania? Or amid the Assyrian reliefs in its Department of Near Eastern Antiquities at a time when the Assyrian artistic heritage continues to be threatened in Iraq and Syria? It’s indisputably striking (and amazing) to see Beyoncé at the center of a line of dancers moving in perfect synchronicity beneath David’s “Coronation of Napoleon,” but it also seems like a pretty obvious pick. Rather than familiar examples of European painting and Greco-Roman statuary, why not pose more difficult questions about what’s in the coffers of European museums? The shots of Benoist’s “Portrait of a Black Woman” and those in which the couple flanks the Great Sphinx of Tanis begin to hint at such issues, but more could have done in this vein. Beyoncé and Jay-Z in front of the Great Sphinx of Tanisīut the video also represents something of a missed opportunity.